Metal Gear Solid Voice Actors Perform A Twist On Classic Christmas Poem. The voice actors behind Solid Snake and Liquid Snake in Metal Gear Solid have gotten together to record a special treat for. Metal Gear Solid Voice Actors Perform A Twist On Classic Christmas Poem. The voice actors behind Solid Snake and Liquid Snake in Metal Gear Solid have gotten together to record a special treat for.
GlimpG rates this game: 5/5 Solid Snake, an ex-member of the Military Special Operations Group: Fox Hound is forced to quit his self-impossed jubilation for a last Job. The Island of Shadow Moses, in Alaska, is home of a military base for nuclear experimentation and weapon development that has been taken by terrorists: Geneticly Modified Soldiers and their only demand is to retrieve the body of the greatest soldier of United States: Big Boss. Leading the terrorists, the Elite force of the United States: Fox Hound. As he infiltrates in the facility, Snake will go deeper and deeper in a network of lies, manipulation and conspiracy, only to discover that the war he always thought was anonymous and impersonal, is more closer to him that he'd ever thought.
Mega-death1 rates this game: 4/5 An amazing game that is really a spinoff of metal gear, which spawned a series of sneaking games with an amazing story. You play as Solid Snake, an ex-milatary soldier and one of the 'sons of Big Boss' who was recrutied to preform one final operation (that is, until MGS4:P) You must infiltrate Shadow Moses Island, a island on which a weapons lab is situated, and stop terrorists from launching a nuclear missile on the united states of america.
Along the way you face many challenges to achieve your goal, and an ending that will surprise you all. An overall great game, gets a 4/5 for me, it would be higher if you could aim in the first person.
Metal Gear on the MSX Screen by Oleg Roschin, Konami As a result, fans who had graduated from NES to PlayStation felt occasional flashes of deja vu while playing Solid — so many tank hangars, cardboard boxes and cigarettes! — yet only a handful of import enthusiasts understood how much Solid truly owed to what had come before. Most players didn’t realize that the script’s references to things like “Zanzibar Land” weren’t merely exercises in world-building.
Rather, they were concrete references to the MSX/2 computer game upon which Solid based its entire design, 1990’s Metal Gear 2: Solid Snake. Mostri e pirati gioco. Metal Gear Solid felt like an innovator This is not to diminish the very real and impressive forward strides Solid took to advance the state of the art in video games. Director Hideo Kojima essentially put together an interactive Tom Clancy movie for PlayStation.
Heavy on scripted cutscenes, Solid presented a hard-boiled military adventure crammed with obsessively researched technical details, ominous political themes, and a cheerful willingness to embrace the fantastic in service of a rollicking tale. Ripped-from-the-headlines political anxieties like gene therapy and black-market nuclear sales sat side-by-side with conspiracy theory fodder, like mind-reading and customized killer viruses.
The eponymous Metal Gear super-weapon featured a tactical rail gun delivery system based on real science. But the thing also roared like a dinosaur for no reason beyond the fact that it looked cool in cutscenes. Solid contained roughly an hour of meticulously ‘shot’ and directed cinematic sequences What made Solid’s military drama so striking was the way it was presented (in all its ludicrous glory) through a near-seamless graphical engine. Solid established a new standard for game tech, breaking down the divisions between game action and story sequence. Compare the elaborate multi-angle cutscenes present in Solid with what passed for cinematic sequences in its contemporaries, like Spyro or Tenchu.
Kelly TP-2.com (CD, Album) Jive 0-2 US 2000 5-2 R. 
Kelly 0:54 11 One Me 3:53 12 I Wish 5:34 13 A Woman's Threat 5:55 14 I Decided 4:12 15 I Mean (I Don't Mean It) 3:24 16 I Wish (Remix) (To The Homies That We Lost) 5:17 17 All I Really Want 3:59 18 Feelin' On Yo Booty 4:05 19 The Storm Is Over Now 4:32 Credits • Arranged By, Producer, Written-By – R. Kelly (tracks: 1 to 7, 9 to 19) Other versions Category Artist Title ( Format) Label Category Country Year 0-2 R.
Real-time cutscenes in 1998 rarely pushed beyond simple reaction shots and static character dialogue, even in something as artful as Ocarina of Time. Games with greater cinematic aspirations leaned on Final Fantasy 7-style full-motion video interludes, as seen in Parasite Eve. Solid presented sequences every bit as flashy and movie-like as Parasite Eve’s without ever shifting away from the chunky polygonal character models the player controlled the rest of the game. Only Half-Life, which debuted alongside Solid, attempted something similar. It presented real-time story events that took advantage of the immersive nature of first-person shooters. Konami’s in-engine approach to cutscenes worked for a wider range of formats and genres, however — and, fittingly for notorious micromanager Kojima, it gave directors greater creative control over the player’s experience. Solid contained roughly an hour of meticulously composed and directed cinematic sequences defined by dynamic camera angles, cuts, convincing character animation and film-like staging.