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Perspective is a good thing. Since the release of 'Star Wars Episode I: The Phantom Menace', claims and counter-claims of just how Episode's II and III will eventuate has taken the spotlight off the 'original' Star Wars films, making them part of a cohesive whole, rather than segregating the older and new films into separate trilogies. What the new films have done is allow fresh perspectives to be placed on the older films. This new outlook allows us to greater appreciate what has often been viewed as the weakest of the original trilogy: 'Return of the Jedi'. Often derided for its overly 'cute' factor, ROTJ is in a sense as strong as the original and only slightly less impressive than the nearly perfect 'The Empire Strikes Back'. Indeed the 'cute' element of ROTJ, namely the Ewoks, remains a weak link in the entire series.
Did George Lucas place the furry midgets in the film purely for the merchandising possibilities? Only he can answer that question. This cute factor aside, the film is a brilliant full circle AND evolution of the saga. Following on from the conclusion of 'The Empire Strikes Back', Luke Skywalker (Mark Hamill) follows his Rebel Alliance friends to Tatooine, his home planet, to rescue Han Solo (Harrison Ford), the space pirate turned Rebel hero who was captured by Jabba the Hutt for overdue debts. Skywalker is a changed man since leaving Tatooine with Ben 'Obi Wan' Kenobi (Alec Guiness) to fight the evil Empire.
Now swathed all in black, Luke's discovery of his origins have left him confused and torn. His psychological make up is not as strong as his outward appearance would suggest. While he might aim to always assist his Rebel friends, he yearns for another chance to confront the evil Darth Vader again, despite his unassuredness as to whether he will destroy him or eventually turn to the Dark Side and join Vader at the Emperor's side. Early scenes in Tatooine are impressive, from Jabba's lair, to his floating palace and the 'almighty Sarlac' - an intenstine that lives in the sand. Lucas' CGI enhancements to the film in 1997 actually worsened the overall effect of the Sarlac, making it look fake and overdone. The battle scene on Tatooine is outstanding, and is one of the more memorable of the saga. Luke almost singlehandedly anihiliates Jabba and his cronies, proving his prowess as a Jedi is now almost complete.
When Luke returns to the Degobah system to visit the ailing Yoda one more time, the viewer is let down by Yoda's distinct lack of screentime. Undoubtably the star of 'The Empire Strikes Back', Yoda is all but erased from the story as the progression of Luke's destiny is played out on screen. Kernigan d ritchi yazik programmirovaniya si pdf english. ROTJ really is Luke's film, perhaps even more so than the original. His journey carries the movie as he moves closer to his confrontation with Darth Vader and his fate. The other Rebel characters certainly work in his shadow.
The romance between Leia (Carrie Fisher) and Solo is all but non-existant, unlike in 'Empire'. In fact only Leia's character is developed in ROTJ, Solo's character seems to fade as the facets of his personality have become too familiar in the first two films. Their roles are consigned to working alongside the Rebels to destroy an all new Death Star that nears completion. This time the Emperor himself is overseeing the final stages of construction. The Empire intends to crush the Rebellion once and for all, while the Emperor himself schemes to bring the now powerful Skywalker to his side to work alongside (or is that replace?) Darth Vader. The Emperor is a different kind of evil for this film, less cunning than Governor Tarkin (Peter Cushing) from 'Star Wars', more deeply psychologically dark than anything else.